And as night falls, the ghosties and gremlins begin to appear...
Beware of who's cooking in the kitchen!
...or lurking in the shadows...
I believe I even caught a glimpse of Coraline and her "Other Mother"...
The house teemed with revelers. Gearing up with glow-sticks before heading out into the brisk autumn wind, flying leaves and dark skies...
...and then back again - with rosy cheeks and hoards of treasure. Which they carefully inventoried while being read spooky stories from the local haunt...
Sugar-happy smiles....
Serious trading and bartering for the best loot....
My brother-in-law took me to see their old, local cemetery today...
(and I know I posted "I Am Stretched On Your Grave" yesterday, but it really is the best possible melodic accompaniment. This is a live, a capella version by Sinead O'Connor - awesome).
Grey skies...
Grey stones...
- a tiny bit of lingering fall color...
...but mostly brown, crunchy leaves, moss and lichen...
Continuing with the seasonal decor at my sister's house (which my mother insists I point out that the more macabre bits are primarily a result of my brother-in-law), I will tonight share with you some of the lovely bones strewn about..... And to accompany your viewing here is a collage of various versions of "I Am Stretched On Your Grave" by several different Celtic artists:
(My favorite version of this is by Dead Can Dance, but I don't love the one on YouTube. You can see it here if you are interested). (And while not Halloweeny, it is at least topical - here are some scary scary skeletal photos of celebrities put to Kate Nash's Skeleton Song...)
House bones...
Office bones...
Fairy-niece bones (standing in front of the figures they inspired in the mural their parents painted on the elementary school wall...)
..and another peek of a Creepy Doll. Just for you....
I'm at my sister's wonderfully Halloweeny house. It is decorated fabulously and creepily. Tonight I want to share with you the creepy doll head parts. (And to make it even more thematic, here is Jonathan Coulton's "Creepy Doll" video to listen to you while you peruse.
-is awesome. Some of his paintings brought tears to my eyes. Wide range of works - from early on (most of those I hadn't seen before) all the way through to the end of his life, including a number of letters, sketches and studies. Some were much smaller pieces than I had expected, and some were enormous.
An incredibly talented and prolific man... wow....
I'm currently slammed by deadlines, so of course, this is when I have scheduled a trip, and am currently at my sister's in upstate NY (the getting here has been a saga unto itself which you may be aware of if you follow my updates on twitter or facebook).
I'll be here all week. I left my sick laptop at home so my computer presence will be intermittent at best. But if I can, I will post pictures of the amazingness that is: New England in the late fall, my sister's artistically saturated house, our trip to Montreal to see JW Waterhouse, etc...
Can I just say how awesome this toned sketchbook is? I love being able to put the highlights *in* rather than just leaving the white of the page. Of course, I'm not getting to use it right now, because I am drawing Wind Dancer book interiors like crazy. I did these on the retreat last weekend (copying Master drawings to get a feel for the yummy, smooth paper):
This is after a Burne-Jones head study.
And this is after a Hans Holbein study. I have a Dover book of a bunch of his portrait studies from King Henry VIII's court. They are fabulous - and for the most part show somewhat homely, very 'real' looking people. Not idealized at all.
And this is a totally uncharacteristic Alphonse Mucha study. Loved it that he has some 'monster drawings' in addition to his more typical lyrical ladies and lovely art-nouveau botanicals.
Graphite and white charcoal. Drawn in an 11x14, hardcover Utrecht sketchbook with 'oatmeal' pages.
From my earliest memories I've been captivated by the illustrations in
fairy tales and childrens books and couldn't think of anything else I'd
rather do when I was grown up than create my own.
When I'm not painting in the studio, I can probably be found working in
my gardens to make sure that there are plenty of havens for visiting
fairies.